EJLA

GRAPHIC DESIGNER AND ARTISTABOUTEMAIL



                   ALL    VISUAL IDENTITY    GRAPHIC SYSTEM    WEB DESIGN    PRINT+EDITORIAL    VIDEO    EXHIBITION    INSTALLATION+SCULPTURE    PAINTING    ILLUSTRATION    MUSIC
SADA
2024


SADA identity zeroes in on the atmosphere that a candle creates around it, once lit. The letters of the logo frame the visual, be it an illustration, a text or a video.
Stichting JA!
2024
JA! Foundation in Amsterdam, an organisation with a mission to bring mental health faster to young adults, was in need of a rebranding. The red line represents the human touch that permeates all of their work, and the colour palette combines the healthcare industry blues and greens with Amsterdam’s red. 


together with Susan Zwijgers, Tjarda Hansma, Robert-Jan Glas and Glenn Manuel da Silva
Christiania
2024



In April 2024 Pusher street was finally closed, marking an end to drugs in the free town of Christiania in Copenhagen. To share the news with the rest of the city, we created a campaign highlighting all of the lovely things you are able to do in Christiania. The series plays on the idea of confetti, that are inspired by the flag of Christiania - three yellow dots on a red background. 


Done under creative and art direction of François Andrivet and Sophie Gevind/Public Service Agency
DE SERIEN / Ungdomsbureauet
2024


A graphical system for a website showcasing stories told by people from marginalized social groups in Denmark. Developed together with Public Service Agency.
Flower series 2
2024



Building on Flower series 1, with the same fascination of flowers and their position in our culture.
SADA
2024

SADA is a research into the plasticity of time and flexibility of space. The project is based around the temporal sculptures that utilize the cross-cultural symbolism and body of candles, in order to activate their surrounding, visualize human perception of time, and, through their ephemerality, question its relentless flow. The aim is to interrelate the subjective and objective within the sculpture, while allowing the audience to have a moment of respite, a moment to just breathe.
Flower series 1
2024



Flowers as a phenomena have become influential in my thinking. Their position in our culture, of simply being, and that being enough, is a fascinating position. 
Bram Petraeus
2024
A visual identity and website design for Bram, a Dutch photographer based in Amsterdam. 
The identity is outspoken, yet elegant, inspired by the crisp, crystal-clean focus recognizable in his work. Calm, yet inviting a second, more attentive look, much like his work. 
Warm Bad
2022-24


A selection of posters for a series of improv dance and music events in Amsterdam


typefaces by Collletttivo and Charlotte Rohde
Archive of Adorning Entities
2022
Art direction and editorial design for the Archive of Adorning Entities by Maureen Kortenbusch.

The book showcases each of the adornments through the eyes of a naturalist. Each piece is presented in the same set of sheets: a title page, page outlining the narrative of the piece, a page documenting their growth cycle, and finally one or two on details  pertaining to each adornment.


typefaces by ABC Dinamo — jewellery, illustrations and text by Maureen Kortenbusch — photography by Daniela Petrovic —
featured here — find the full pdf here — find the video here
©2024All work displayed on this website, including art, photography, and product design, is copyright Ejla Miletić © and/or respective clients 2024